Vilnius Cathedral

Vilnius Cathedral, West ElevationThe Cathedral Basilica of St Stanislaus and St Ladislaus of Vilnius (Lithuanian: Vilniaus Šv. Stanislovo ir Šv. Vladislovo arkikatedra bazilika) is the Roman Catholic mother church of Lithuania.  

The coronations of the Grand Dukes of Lithuania took place within its confines. Many famous people from Lithuanian and Polish history are buried there During the Soviet period the cathedral was converted into a warehouse. Masses were celebrated again starting in 1988, although the cathedral was still officially called ‘The Gallery of Images’ at that time. In 1989, its status as a cathedral was restored. 

It is believed that in pre-Christian times, the Baltic pagan god Perkūnas was worshiped at the site of the cathedral. It has also been postulated that the Lithuanian King Mindaugas ordered the construction of the original cathedral in 1251 after his conversion to Christianity and appointment of a bishop to Lithuania. Remains of the archaic quadratic church with three naves and massive buttresses have been discovered underneath the current structure in the late 20th century. After Mindaugas’s death in 1263, the first cathedral again became a place of pagan worship. In 1387, the year in which Lithuania was officially converted to Christianity, construction began on a second Gothic Cathedral with five chapels. After several burnings down and restorations, the building substantially reached its current form in works were completed in 1783 (exterior) and 1801 (interior), according to the neoclassical design of Laurynas Gucevičius

Vilnius Cathedral, Interior

The Cathedral and the belfry were thoroughly renovated from 2006 to 2008. The facades were covered with fresh multicolor paintwork, greatly enhancing the external appearance of the buildings. It was the first renovation since the restoration of Lithuania’s independence in 1990.

 This article incorporates text from the English Wikipedia.

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Cathedral of St Nicholas the Wonder Worker, Białystok

Cathedral of St Nicholas the Wonder Worker, Białystok by night

Saint Nicholas the Wonder Worker is the Orthodox cathedral in Białystok, and the seat of the Bishop of the Białystok-Gdańsk in Polish Autocephalous Orthodox Church. Białystok is the tenth largest city in Poland, and the largest in the north-east, which has a relatively large Orthodox population compared to most of this predominantly Roman Catholic country.

The 40 metre high edifice was erected in 1843-46 as a parish church, following eastern Poland’s ‘partition’ into the Russian Empire, and both an anti-Uniate persecution campaign and migration from other areas due to the industrialisation of Białystok, which led to a rise in the Orthodox population in the city. It was built in a neo-classical style typical of Russian Orthodox architecture in the late 18th and early 19th Centuries.

It became the cathedral of the Białystok-Gdańsk Orthodox Diocese in 1951. In June 1991, Pope John Paul II visited the cathedral as part of his official visit to his native Poland.

Cathedral of St Nicholas the Wonder Worker, Białystok in twilig

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Holy Cross Church, Vilnius

Holy Cross Church, Vilnius

The history of the little church of Holy Cross, Vilnius, dates back to 1543, when a chapel was built on the site to commemorate the martyrdom of a group of Franscians in the 14th Century. In the 16th century, a Gothic chapel of the Holy Cross was built here by the Bishop of Vilnius Povilas Alšėniškis and soon the adjoining house was converted into a Baroque church. All this had to be rebuilt in 1737 after a disastrous fire, when the current late baroque interior was installed.

In 1976 the Church was converted into a concert hall by the Soviet authorities, and was in secular use until being returned to the Roman Catholic Church after Lithuanian independence in 1991.

The Mary Immaculate Sisters of the Poor have a house on the site, which is Simonas Daukantas Square (map) within a few hundred metres of the office of the President of Lithuania.

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The Bright Field

The Bright FieldLate on a summer evening, as I took photos from the summit of Divis (478m above sea level) the highest of the Belfast Hills towards Lough Neagh, suddenly a shaft of sunlight broke through and illuminated the fields on top of Budore Hill, about 4 km away. Clearly visible on Lough Neagh is Ram’s Island, and in the distance, the countryside around Brockagh and Ardboe in County Tyrone, gradually rising into the Sperrins and South Tyrone uplands.

I was put in mind of verses from the priest and poet RS Thomas:

I have seen the sun break through
to illuminate a small field
for a while, and gone my way
and forgotten it. But that was the pearl
of great price, the one field that had
treasure in it. I realize now
that I must give all that I have
to possess it. Life is not hurrying

on to a receding future, nor hankering after
an imagined past. It is the turning
aside like Moses to the miracle
of the lit bush, to a brightness
that seemed as transitory as your youth
once, but is the eternity that awaits you.

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Blogging Staggers Day Three: Sunset Skies

Truly spectacular sunset skies at St Stephen’s House this evening. This is, like, where I actually live and stuff. The church is St John the Evangelist, Iffley Road.Staggers Sunset-2

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Blogging Staggers Day One: Praying With the Lepers

The Bartlemas Chapel – a name that sounds like something out of Dickens, and the chapel felt like something from a disappeared world as well. A few hundred metres down a laneway from the noise and bustle of the Cowley Road lies a former leper chapel, feeling as if it were behind a portal to another time, when Cowley was still country fields across the River Isis from Oxford.

The Bartlemas Chapel was rebuilt in 1326 to replace a 12th Century original. After leprosy was essentially eradicated in the 16th Century, it was used as an almshouse. Later, under Cromwell it was used as a stable, and then in Victorian times as a cowshed. Yet, somehow, the instinct to pray in this place reasserted itself afresh in century after century.

Part of the parish of Cowley St John, Evensong is prayed in this little chapel on the fifth Sunday of the month, under clear glass and whitewashed walls. This will surely be the last such service for some months held without the building’s only heating turned on, a cast iron brazier fired with coal. Dickens would be in his element.

Eight of us chanted Evensong from the Book of Common Prayer. The familiar words of the psalms and canticles connected me with the world of daily prayer at Salisbury Cathedral I had just the day before left behind.

“The Lord setteth up the meek : and bringeth the ungodly down to the ground.” How appropriate in a leper chapel.

“He hath no pleasure in the strength of an horse : neither delighteth he in any man’s legs.” I grinned, as always. Religion that lacks a sense of humour about itself is a terribly dangerous thing.

I was connected to many of my own yesterdays; with the people praying the same words in St George’s in Belfast at the same time, and in another St George’s in Cape Town, and dozens of other churches scattered across several continents.

“Deposuit potentes de sede, et exaltavit humiles. Esurientes implevit bonis, et divites dimisit inanes.”


But I was connected well beyond that; with the lepers in the reigns of the Henrys and Edwards, sitting in the same spot, for whom the promise of Mary’s song, chanted in Latin, with its exaltation of the humble and meek and filling of the hungry with good things, will have been the only promise of a better tomorrow they heard.

הַלְלוּ-יָהּ

Connected still deeper in time and further in place, to the Temple in Jersualem a hundred generations ago, to people praising the Lord for the coming of a restoration unimaginable during the long years of their exile.

“He giveth snow like wool : and scattereth the hoar-frost like ashes. He casteth forth his ice like morsels : who is able to abide his frost?”

I pondered that the Liberal Catholic tradition in which my faith has mostly blossomed fears the idea of a mighty God; fears the idea of a God who might need to be feared. We assumed that once given prosperity, security and democracy, people were basically nice. Therefore God must be frightfully nice as well. This was the philosophy that led to whole ‘difficult’ sections of the psalms being eviscerated from the regular round of Anglican worship in 1929.

I found it difficult to reconcile this view of progress through reason to universal niceness with the living contradiction that is the Cowley Road: in the heart of one of the wealthiest little cities in the planet, home to what is perhaps humanity’s finest place of learning, junkies scream abuse at strangers from their roadside bedding at the corner of streets where three bedroom terraces sell for over half a million.

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St Aldegundis, Emmerich

St Aldegundis, Emmerich, North Elevation

Difficult to photograph close in due to its dense inner-city site, some say that St Aldegundis is on the site of the original mission church in what later became Emmerich am Rhein, founded by St Wilibrord around 700. That is debatable, but what is certain was there was a collegiate foundation in the town by 914 and that a church on this site burnt down in the early 15th Century. The current building was built to replace it between 1449 and 1514.

It has many lovely late medieval statues, photographed and described below…

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St Pancratius, ‘s-Heerenberg, and the ‘Gestapo Window’

St Pancratius, 's-Heerenberg, North Elevation

St Pancratius (de Pancratiuskerk) in the little Dutch market town of ‘s-Heerenberg (population 8,000) and literally a ten minute stroll from the German border.

At first blush – another pretty, ornate, but unexceptional post-Vatican I church in the south eastern Netherlands, a sign of a long suppressed community bursting into both prosperity and political power. Inevitably designed by the Albert Tepe, a prolific architect of Dutch neogothic… and then…

In the north aisle a unusual piece of stained glass catches the eye – is that a Gestapo man in stained glass?

St Pancratius, 's-Heerenberg, Close Up of ‘Gestapo Window’

Yes, it is. And so one learns of the story of Frs. Galama and van Rooijen, parish priest and curate respectively, arrested in 1941 after preaching against the Dutch Nazi Party, the NSB, who were deported to Dachau where both died in 1942. The scene of the Judas kiss immediately above makes clear the bitter but rarely mentioned memories of collaboration and betrayal that must have haunted communities like this for decades after the war. Continue reading

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What Is A Man? The Question Asked by a Memorial to Forgotten Wars

The memorial to the fallen of the 1860s Wars of German Unification in the Rheinpark in Emmerich (Kriegerdenkmal, Emmerich). Emmerich is a sleepy little river port on the Rhine, literally within a casual afternoon stroll of the Dutch border.

 

Emmericher Kriegerdenkmal.jpg

Completed under Wilhelm Kreis in 1913 on the eve of the First World War and deeply redolent of the ‘dulce et decorum est’ mentality which played such a role in that conflagration.

Upper text: “Der ist ein Mann, der sterben kann für Gott und Vaterland. EM Arndt.” – He is a man, who can die for God and fatherland.

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The Opioids of the People

Crossposted at Slugger O’Toole…

The United States government has launched a new anti-opioid campaign featuring true stories of people so desperate that they inflicted gruesome injuries on themselves to get another prescription.

Such stories have already been more effectively told in poetry. The epidemic’s most searing skald is William Brewer, a son of Oceana, West Virginia, a post-industrial town so gripped by addiction that it is nicknamed Oxyana.

We were so hungry; Tom’s hand
on the table looked like warm bread.
I crushed it with a hammer
then walked him to the ER to score pills.

The United States has now experienced its second consecutive year of declining life expectancy. A significant part of the change is driven by what have been called ‘deaths of despair’ among middle aged White people: as well as drugs, alcohol and suicide are also spiralling. Death rates among White Americans aged 45-54 increased by 0.5% per year between 1999 and 2013, and there is no sign the trend has reversed since. While the death of celebrity chef Anthony Bourdain this weekhas brought fresh awareness of suicide, rates have been rising for years, especially among middle-aged men, and are now 25% higher than they were at the turn of the millennium. Continue reading

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